Yulanda M. Faris Young Artists Program

Where talent meets mentorship, and emerging voices take center stage.

Founded in 2012 through a generous gift from the family of Yulanda M. Faris, the Young Artists Program at Vancouver Opera is a residency-based artist development program designed to support emerging Canadian opera professionals at a pivotal stage in their careers.

Structured as an immersive residency, the program provides artists with sustained time, space, and institutional support to develop their craft within a professional operatic environment. It serves as a vital bridge between formal academic training and the realities of a professional career, allowing artists to deepen their artistic practice while gaining first-hand experience working inside a major opera company.

Led by Program Director Leslie Dala and Coach Tina Chang, the program offers comprehensive, individualized mentorship to a select cohort of singers, along with a pianist and a stage director each season. Through close collaboration, coaching, and performance-based learning, resident artists are supported as they refine their voices, artistry, and professional readiness.

Mainstage Production Experience

As a residency within a working opera company, the Young Artists Program embeds artists directly into Vancouver Opera’s mainstage ecosystem. Resident artists gain hands-on production experience while observing and participating in professional rehearsal and performance processes.

Key production components include:

  • Performance and understudy opportunities in Vancouver Opera’s mainstage productions
  • Participation in rehearsals alongside principal artists, conductors, and production teams
  • Resident pianists serving as rehearsal pianists for mainstage productions, as appropriate
  • The resident stage director contributing to dramatic rehearsals and collaborating closely with mainstage stage directors and production staff
  • Exposure to professional production workflows, schedules, and artistic decision-making

This production immersion allows artists to develop fluency in the professional environment while building confidence, adaptability, and collaborative skills essential to a sustainable operatic career.

Training & Artistic Development

Alongside production work, resident artists participate in a comprehensive training curriculum designed to support vocal, dramatic, and professional growth.

Training components include:

  • Ongoing individualized vocal and musical coaching with Vancouver Opera’s resident music staff
  • Instruction in diction and language, acting and dramatic interpretation, and movement and stage combat
  • Career development sessions focused on audition preparation, agency representation, and industry navigation
  • Engagements with guest instructors and visiting artists, providing additional perspectives in vocal technique, interpretation, and professional practice
  • Masterclasses with internationally acclaimed artists and coaches
Young Artist Showcase

Each season culminates in a fully realized production conceived and led by the Young Artists. Working from initial concept through rehearsal and performance, the cohort takes primary responsibility for artistic planning and execution, including performance, artistic concept and dramaturgy, and music direction. Throughout the process, Vancouver Opera’s music, technical, stage management, and production staff function as professional resources, providing production support, operational guidance, and mentorship while enabling the artists to lead the project from start to finish.

Current Artists

Julia LoRusso

Soprano

Julia LoRusso is a rising Canadian soprano recognized for her vocal agility and expressive performance. In 2025, she made her house debut with Vancouver Opera as Countess Ceprano in Rigoletto and will return in 2027 as Annina in La traviata. She made her New York debut at the Winners’ Concert at Merkin Hall as a first-place winner of the International Music Grand Prix. In 2024, she won the Toronto Mozart Competition and in 2025 received the Encouragement Award at the Metropolitan Opera Laffont Competition (Indiana District). She holds a Master of Music degree from Western University in London, Ontario.

Marianne Bertrand

Mezzo-Soprano

Quebec mezzo-soprano Marianne Bertrand is praised for her “very pretty mezzo voice” and dramatic talent (Revue l’Opéra). She joined Vancouver Opera’s Young Artist Program in 2025–2026. She has performed roles such as Hänsel, Dido, Laetitia, Croûte-au-pot, Orlofsky, and Prince Charmant in Canada and Germany, and was a national laureate of the Canadian Federation of Music Teachers' Associations competition. 

Callum Alden

Callum Alden

Tenor

Callum Alden is a Vancouver-based tenor. Recent appearances include Scaramuccio in Ariadne auf Naxos with Pacific Northwest Opera, the tenor soloist in Mozart’s Coronation Mass with the Prince George Symphony Orchestra, and in Seattle Opera’s touring school production of Monkey & Francine in the City of Tigers. Callum was previously a Young Artist with the Opera Company of Middlebury, and completed his vocal studies at McGill University. 

Mihnea Nitu

Baritone

Romanian-Canadian bass-baritone Mihnea Nitu has been praised for his "booming and robust vocals" (Opera Canada) and was marked as a “name to watch” by Bachtrack. Recent performance highlights include the title role in Donizetti’s Don Pasquale with Highlands Opera Studio, Marullo in Verdi's Rigoletto with Vancouver Opera, and the Father in Humperdinck's Hansel and Gretel with Manitoba Underground Opera. Mihnea received his Masters of Music from McGill University.

Michal Aloni

Michal Aloni

Stage Director

Michal Aloni is a singer and stage director working across opera and interdisciplinary performance. As a singer, Michal’s repertoire spans Baroque to contemporary works, with recent engagements with Chants Libres, People Watching Circus Collective, Cultureland Opera Collective, Opera 5 , Opéra de Montréal Chorus and the Canadian Opera Company Chorus. An emerging director, she recently completed a diploma in stage directing at McGill University, as well as a portfolio artist internship with Opera 5 and an observership at the Royal Opera House (UK). Michal holds voice performance degrees from the University of Western Ontario and the Jerusalem Academy of Music.

Cecilia NguyenTran

Cecilia NguyenTran

Pianist

Cecilia NguyenTran is a Vietnamese-Canadian pianist born and raised in Toronto. She is currently in her first year with Vancouver Opera’s Yulanda M. Faris Emerging Artist Program. Cecilia completed her Master of Music in Collaborative Piano at McGill University, and both a Bachelor of Music and an Opera Diploma at Wilfrid Laurier University. Her recent works include Opera York’s productions of Donizetti’s Lucia di Lammermoor and Mozart’s Così fan tutte, and Toronto Operetta Theatre’s production of J. Strauss II’s A Night in Venice. Additional credits include Opera McGill’s productions of Cendrillon, La Sonnambula, Blond Eckbert, and The Light in the Piazza, as well as Opera Laurier’s Little Women, Cendrillon, The Tender Land, and Les contes d'Hoffmann.

Program Leadership

Leslie Dala

Program Director

Tina Chang

Coach

Audition Requirements

Live auditions are typically held in Toronto, Montreal, and Vancouver in November, with applications opening for submission in late summer. Please check back for the link to the application form.

The audition requirements listed below are subject to change.

Eligibility
  • While there is no official age limit for the program, participants are generally between 22 and 34 years old.
  • Applicants must be Canadian citizens or permanent residents.
Singers

Each applicant will be required to prepare five contrasting opera arias, in at least three different languages (French, German, Italian, or English; however, other languages are acceptable). These are to be performed from memory in their original language and should represent the singer's present technical development and ability.

Pianists
  • A solo piano piece that demonstrates technical proficiency (max. 5 minutes)
  • An aria in any language (5 minutes or less) to be played AND sung by the applicant with dramatic understanding
  • Carmen Act II Quintet, to be played AND sung
  • One of the following, to be played AND sung:La Bohème Act ILe nozze di Figaro Act 2 FinaleDon Giovanni Act 1 FinaleCosì fan tutte Act 1 Finale
Stage Directors
  • Please submit a one-page letter detailing your interest in Vancouver Opera and your long-term objectives in opera direction.
  • A link to your online portfolio

Thank you to our Program Sponsors

PRESENTED BY

RBC Emerging ArtistsTD Ready Commitment